This performance is sold out. To be added to the waiting list, send us an email with your
Located in the Main Floor & High Cocktail sections only
Limited number available per show
Student ID must be shown at door when checking in
SophistiTIX (Young Professionals Group)
Members enjoy 25% off per ticket on up to two (2) tickets per show.
Membership is free – click here to join!
For ages 35 and under only
Groups of 12+ can enjoy:
– Two 6-top tables, side-by-side
– Two charcuterie boards per table
– Two bottles of wine per table
– 10% off per ticket
Contact firstname.lastname@example.org for more information.
Food & Drinks
If you plan on dining with us, we recommend arriving at least one hour prior to showtime.
Our menu, created by our friends at the Jazz Kitchen, was designed to suit the refined tastes of our patrons and features everything from small plates to full entrees and desserts. Our facility also features a full-service bar with craft cocktails, curated wine lists, and more.
About the show.
Jessica Vosk: Wild and Free
During Women’s history month we celebrate women who know who they are, what they want and go for it with gusto. Jessica Vosk left a high paying job on Wall Street to pursue her dream of being on Broadway. Flash forward—she has been covered in green after starring as Elphaba in Wicked. Jessica will guide us on a musical tour of her crazy career that started on Wall Street and ended up in Oz by way of The Bridges of Madison County, Finding Neverland, Fiddler on the Roof, the Grammy-nominated West Side Story, Merrily We Roll Along, and Company (with Neil Patrick Harris). Dubbed a “bodacious riff monster” by Jason Robert Brown, Jessica offers an eclectic evening of songs, hilarity, and a swear jar.VISIT JESSICA'S WEBSITE
Presented by David & Ellen Schwartz
Supported by The Lacy Foundation
All shows in the Glick Philanthropies Broadway at The Cabaret series are made possible in part by Glick Philanthropies.
See Jessica in action.
“This stunning concert is hands down one of the absolute BEST things I have ever seen done in Feinstein’s 54 Below!”
— DAVID CLARKE, BROADWAYWORLD
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